Tag: You

  • How Do You Feel?

    How Do You Feel?

    WOW, is the first thought that came to mind when the opening track of James Leatherbarrow’s work, How Do You Feel, burst into the open in a cacophony of sound; Happy New Year they yelled as they welcomed in with hope high, the year that is and was to be 2020. Mere seconds later, the Grim Reaper is beginning to look interested in what was to become a year that will live long in the memory of the world, rating up there with two World Wars and other such cataclysmic events.

    Before this can be absorbed the music dissolves into what can only be described as a House of Horrors sound track usually discovered in the fun arcades of regional shows, which forms the basis of the balance of the album, which is eclectic to say the last.

    Track titles and the accompanying music act as metaphors and as the movie plays out; 2020: The Movie sets the scene followed by Chicken Foot, which is fascinating. Listen closely to the wording as the portrait it paints will be different for everyone: a touch of madness unleashed maybe or has something else entirely been captured!

    Blue Sky is almost a benediction as the light, bright tones of electronic offer a welcome reprise in a life gone monumentally mad, or so it would seem. Vocals join in the mix on this track which is once again a piece that can stand careful listening, as it asks how do you feel in this new tomorrow, when a piece of blue sky can be seen offering a slice of hope in an otherwise dark world!

    Un, Deus, Trios ushers in Bon Voyage the most pedestrian of the pieces with guitar, played by Colin Heirs, as the main instrument, underpinned with a raft of symphony to create a robust sound to add to the enchantment of the undertaking. Je t’aime.

    Those annoying people in the cinema seats are captured with the abstract Barbara, once again using a space music style of backing before Intermission arrives to the sound of the pipe organ, beloved of cinema goers before the age of electronics and sound was achieved at the push of a button. Funky, upbeat and catchy, this is a toe tapper of a tune.

    Hobblefoot’s Journey is the main feature at 24:30 seconds, telling a story of a long, long, long journey with a wonderful olde worlde influence throughout. Well worth the listening time involved, this is a strangely beautiful, haunting piece, once again portraying the slow, often frustrating and damaging journey, but one interlaced with beautiful moments, we have all experienced in this strange and unusual year, 2020. This piece was written in remembrance of Scott White who passed away on 1 January 2020, a dear and beloved friend of James Leatherbarrow.

    A little madrigal is encapsulated in Take My Hand, with some very elaborate arranging of one voice to create many, which is delightful before moving into the final piece Nebulae a slow, totally space music composition that is as timeless as space appears to be when standing on the earth looking outward to the skies, This is the prefect piece to end this absolutely outrageous musical retrospective on a year that has proven to be anything but ordinary and has still some time to travel.

    Final words from a wordsmith about this wondrous album How Do You Feel: as said to James, I am not too sure whether to laugh, scream or run hiding as how are mere words able to capture such a vibrant, astonishing and absolutely refreshing perspective of year when to expect the unexpected was considered the absolute norm! Perhaps he was having too much fun creating this amazing collection of music that will be very hard to forget.

    Do yourself a favour and take a listen to this truly wondrous album; it will make your year!

     

  • Thinking of You

    Thinking of You

    From a tender age music was the lifeblood of David J Pena and his world, as he would sit listening to the marching bands practicing in his street, then sit at the family piano playing the pieces until he had mastered the  melodies; not to bad an accomplishment at the age of four years.

    Over the years he rose to acclaim as a drummer and pianist, adding to his skills as the years past until he created his debut album The Time has Come in the Contemporary Christian music style.

    Thinking of You, his latest work, created in conjunction with Judah Earl is a collection that is vast, rich, all-encompassing, with a sweeping cinemascope sound that captivates and intrigues. Each of thirteen  tracks capture this rich collaboration, painting individual landscapes as in Smoke Signals Rising reminiscent of the days of Western Movies, beloved of cinema goers for many years: the wide plains, horses galloping, the blood rising, gloriously abandoned and invigorating.

    Upbeat and full happiness is Good Day (Uzziah’s Song) written in dedication to Uzziah, Pena’s grandson, who says Pena, is always walking around with a smile; having a “Good Day”.  Pena says this song reflects his character and considers it a perfect fit for his beloved Grandson.

    Sweeping across the airwaves is the gloriously free and easy piece Mystify, there to be enjoyed; a canvas to be painted in the colours of choice.  Thinking of You, the title song, dances along, filled with joy and happiness: a love song  portrayed through the strong notes of the piano, enriched with the sweeping orchestral backing, which drops away to allow the pure notes of the piano once again to portray a  the essence of the song; love in all its splendor.

    Taking a walk along memory lane is the delightful, bright and breezy Yesteryear, which is wrapped in a delicacy created by the elegant tones of the violin with a lighter orchestral sound, until the beat changes to one of bouncing along, enjoying the moment in full glory; a quirky little piece, full of fun and the joy of life.

    Lighthouse is a jaunty, light hearted piece that draws a rich and enjoyable album to a close, a perfect choice from David J Pena and Judah Earl, who in Pena’s words when asked to describe his latest work is that ‘he (Pena) would create the body of the work, discuss his vision with Earl and then Earl would ‘breath life’ into the composition with his orchestral scoring’.

    Between Pena and Earl they have created a work which, to use the title of the first track, is Wild and Free , written to be enjoyed time and time again, an album that walks tall in a time of immense change and challenge.

    Please note: due to incorrect information relating to Uzziah’s Song this review replaces the first version published on 8 October. Editor.

  • My welcome book

    My welcome book

    Following on from the very well received My Grateful Book, Diana Smith and Sarah Jane Marchant have once again teamed up to bring the delightful My Welcome Book to young readers and adults, with the lovely message embedded throughout the text that no matter what, YOU are always good enough.

    The book commences with the joyous occasion of the birth of a child with ‘Welcome to our beautiful earth’ as the introductory line, which leads on, with the help of wonderfully bright, elegant and appealing illustrations, to begin the child’s journey and the wonderful gifts that make them so very special and unique.

    A beautiful soul, your Spirit, kindness and the wonders to be discovered with your mind, amongst many other gifts all go to make you so very special.

    Diana Smith also includes the aspects of a multi-cultural society, learning to always think BIG, not small and most importantly of all, to always celebrate your birthday every year as it is the road marker of your journey. She also offers the very sage advice that you always grow and learn from your mistakes, a salient little point we all need to remember.

    Once again, a lovely book on several levels and one that will bring much enjoyment to little ones and not so little ones, as they join with baby to grow into big, strong person who shows kindness and tolerance to others.