Tag: synth

  • Mackland Ave

    Mackland Ave

    Mackland Ave, like the house on the street that provided the inspiration for the tracks of the album, contains a little bit of everything, showcasing the diverse talent that is Mike Woodlark on this his second album, but the first under his own name.

    Listening to the Pines is a tune that was named by his grandmother, as to her, it represented to the sound of the wind as it creates a musical melody, lazily sighing amongst the trunks, leaves and limbs.

    Dark Locomotion perfectly captures that timeless pulsating sound of steam locomotive powering its way down the tracks to a final destination.

    The quirky track title An Elephants Soul is dedicated to Woodlarks’ mother whose totem animal is an Elephant. His gentle vocals reflect time spent with her on the porch looking at the stars, something so many have done and will continue to do both as children and adults.

    A powerful and wide soundscape is Legends of the Southwest inspired by western movies, outlaws, cinema and in his words, simply gave him permission to jam with himself. A fun and sweeping piece reminiscent of the days of the Wild West and Hollywood.

    Vincent Van Gogh gets a look in on Hey Vincent, introduced with guitar, with lovely vocalisation that pays tribute to the artists life story, his amazing work. The question is posed should they meet, what would Van Gogh think of him, in this very modern world. A second, stripped back and original version of this song completes the album.

    Rainshine dances across the keys presenting a pop synth flavour, before a deeper more brooding tone is introduced perfectly capturing the elements of a rainy, stormy day, when the heavens simply appear to be unable to decide what to deliver. Once again, some lovely worded vocals add a depth to the piece.

    Changing emotion once again is the classically inspired piece Graceful Grim, a beautiful piece for solo piano that transforms with its elegant simplicity. When followed by Dreameries and Home Cooked Dinner, a rather jaunty little piece, a wonderful soliloquy of thoughts, feeling and emotions has been presented.

    Mackland Ave is a fast paced, synth-based piece which is very up-tempo, catchy and bouncy, perfectly reflecting his time spent living on Mackland Ave; a place of dreams, love won and lost and above all learning about and living life.

    A great album to be enjoyed time and time and gain.

  • Auriga to Orion

    Auriga to Orion

    Glorious light, spacey chill-out music has been created in stunning style, in Auriga to Orion, by flautist Sherry Finzer and guitarist and percussionist Cass Anawaty which will delight on first listen and delight even more the more each time it is enjoyed, as with all great music there is always something fresh to be discovered.

    Auriga to Orion contains a ranging style of music to formulate this latest album from the talented duo that simply follows on from their previous release In The Midst of Stars, an album which showcased their immense talent to perfection; this album simply underlines the richness of electronic music when combined with traditional instrumentation.

    How best to describe this light, drifting, refreshing collection, laced with a more than a touch of vibrancy, is to attempt to describe a trip through space in a vehicle immersed in the light and awesome aspects of space. An openness and exploration of style to explore the boundaries has been enhanced in the manner Finzer and Anawaty have chosen to use their traditional instruments.

    A Jingling, jangling guitar harmony introduces Alpha Orionis, with the carefully structured use of guitar to create a feeling of timelessness; an indigenous series of notes introduces the dulcet tones of the flute which mixes effortlessly with the background of synth and guitar.

    Auriga to Orion carries the themes of space with a melodious weaving of textures created by the skilful use of synth. Combined with flute a sense of space, of endless time, of forever is created. Jangling bells resonating in an intricate manner, introduces a layer of exotic in Dark Years Away to what turns into a journey through space and culture, with a deep guitar and percussion element lightened by the flute overriding the base melodies. A glorious piece to get the pulse racing and the toe tapping!

    A completely different vibe is introduced into the mix in Chasing Leonids which is richer and deeper in tone, but still with a vibrancy that has been present in each of the previous tracks which leads very nicely into Flaming Star, the final piece on this entrancing and enjoyable work.  The subtle, and yet in another context, an almost impatient percussion introduces the piece, which changes with the specific sound of indigenous drumbeats, rising, swooping flute and airy spacy synth to change the pace to a relaxing and enjoyable finale for what is a beautiful creation forming a soundscape which will delight with its sensuous and timeless appeal.

    Once again a wonderful, sensuous collection of songs from the immensely talented duo of Sherry Finzer and Cass Anawaty performing as Majestica could very, very easily be an award winner.