Tag: past

  • Past Life

    Past Life

    Past Life is an intriguing journey into family, history and the common bonds that hold together, regardless if how disparate the various members of the group become: life is lived, past becomes present, blending into a mosaic that is ultimately reflective of the time old saying, the sins of the fathers are passed onto the children.

    Anna is met as a young girl beginning high school at a time when she begins to realize the restrictive life she has led with her obsessive mother, Sophia, is a little strange; that there is obviously more to living this new life, in a new country, than she ever imagined.

    The words are crafted to perfection as William Lane begins to paint the picture that will lead to tragedy, understanding with a history that seeps into the time and horror of the second world war, a place that surprisingly Anna has no recollection of, even though she knows she came from another place to live in this new, very different country.

    The supreme irony laced throughout the story is that over time, Anna grows into a talented photographer, obsessed with capturing the essence that is time through an orchard with which she will later discover she has deep ties.  As she matures into a woman who has made her own way through life since Sophia died, within her personal life she is inadvertently repeating the patterns of her parents; a father who was an acclaimed novelist, a mother who was, during the war years a resistance leader, an adoptive mother who had secrets to hide, lost in a world no longer in existence.

    Almost mesmeric the work unfolds slowly, the characters both young and old developing clear personalities, their history laid out for all to see, to share; their growing up, the teen years, the facing of risk and challenge, the slow discovery of who, why and the reflection of what, presents an interesting cameo of ‘family’. The work also shines a light on the emotional and destructive damage caused by war that lasts long past the wars end.

    Presenting lesser known aspects of the German occupation of Europe, the serious displacement of children who became a band of children living wild in the forests, fossicking and begging for food, lives forever altered by chance or circumstance, people changed irrevocably and even though time moves on, countries change and other influences come in to play, sometimes within even the most fragmented of family structures, very little really changes.

    Past Life is a beautiful, delicate and haunting work filled with characters to whom we can all relate.

  • Acceptance

    Acceptance

    On this digital only release from the talented Sherry Finer, she offers a little of the very personal side of her life, her journey towards acceptance as a way of life, a way of understanding that life’s journey is filled with many things; some wonderful and some horrific, but the way forward to peace is through acceptance, a conclusion that is often hard won.

    This solo flute album Acceptance, is her first solo releases since 2014 Sanctuary III: Beyond the Dream and once again presents her incredible skill with the flute, as the pieces, some new and some much loved, are presented in a style that is without doubt, her own.

    Ode to John is a classical introduction of perfect bliss based on Samuel Barber’s Adagio For Strings, dedicated to John Merrill, an elderly man who reached out to thank her for the beautiful music that made his treatment for cancer so much more tolerable.

    Darin Mahony and son Nick Finzer join her with a subtle blending of gently played guitar and trombone, with the occasional sound of keyboard softly highlighting a small space in time on The Moment of Acceptance, a very delicate mix that simply floats on the ether. Nick also plays a slow jazz/blues style trombone on Awakening Breath to create a wonderful sound of flute and trombone weaving seamlessly in, through and about each other. Gloriously different and absolutely lovely.

    In the Light of Darkness is an uplifting piece; a light and enchanting duet with Darin Mahony, having originally been released as single, written for dear friends on the tragic loss of their child through childbirth.

    Single haunting notes of the flute, nudged to one side by the deep, mellow notes of the trombone, form a dainty mother and son duet in Love Wins, a piece written by Nick Finzer which offers contemplation with instruments seldom heard working together, each standing alone and yet coming together to form a whole. Beautiful.

    Changing directions once again is Never Far, introducing the soft sounds of the synth to create a rich depth to the song dedicated to her husband Chuck Finzer, which leads nicely into the final piece Breathe, which is 22 minutes long, pure flute and absolutely perfect for reflection.

    Breathe encourages a non-judgemental look back over time and the years, reflecting on the pathway followed, creating a small, delicate moment to accept the past for what it has been, to contemplate lessons learned, life’s journey thus far and the journey full of rich understanding yet to be discovered.

    This is a delicate, soulful and gentle work based on many of life’s twists and turns, all coming with their own life lessons and emotions. Not a work to be taken lightly Acceptance is powerful, perfect and gently appealing.

    “God grant me the serenity to accept the things I cannot change, the courage to change the things I can, and the wisdom to know the difference.” – Reinhold Niebuhr