Tag: clipman

  • Promise

    Promise

    FLOW was created out of friendship, a love of music and a bit of fun, when four musicians, Fiona Joy Hawkins, Jeff Oster, Lawrence Blatt and Will Ackerman decided several years ago to  meet up, each with their own compositions and then sit down and see what happened

    What happened is now a matter for history; after playing to a packed audience with standing ovations at Carnegie’s Weill Recital Hall in 2017, a new sound was born, that of a sophisticated, contemporary soul style new age music, created in an almost improv manner.

    This second album Promise takes the sound they created with their first release FLOW in 2018 to another level, with a richer depth of feeling adding a maturity to the sound, which offers a very different listening experience to their first recording.

    They are joined by Tom Eaton and Jeff Haynes on several of the tracks, also adding a lovely rich depth to the pieces.

    Guitar followed with flugelhorn, piano and a delicate balance of percussion creates a lovely, hopeful, freshness to Promise, the title track of the work and a perfect piece to begin what is a very interesting and enjoyable forty minutes of pleasure.

    Adrift at Sea is a catchy combination of music bringing with the tang of the salt laden sea air, the idle relaxation of a day floating in a small boat on the sea, the haunting notes of the gulls as they drift, delicately balanced on a current of air. Dreamy, delightful and most relaxing.

    Capturing that moment of the day when the light is fading fast, the shadows of the night drawing ever closer, perhaps a moment to reflect, Last Light, is a soft, very subtle coming together of emotion, before moving into a very up-tempo beat which certainly shakes off the reflective element. Terrific and most unexpected.

    Just to mix things up a little bit more, Blue Umbrella brings in a deliciously sensuous feeling, as guitar and piano mesh together in seamless melody before the flugelhorn softly joins in, adding richness to the emotion. An intriguing pause presents a change of emotion and tempo which explodes into a full-bodied soundwave, courtesy of Jeff Oster’s’ skills.

    Memoire du Dome concludes an immensely enjoyable experience with a dainty and yet robust piece, which captures the attention as any finale piece should, as it has a little bit of everything wrapped within the composition.

    Once again, this immensely talented groups of musicians, have demonstrated a wonderful intermeshing of instruments, emotions and styles to create music of a very high standing and in doing so, raising the increasingly high bar of the genre known as New Age Music.

     

  • Mystics Nine

    Mystics Nine

    Dyan Garris is many things to many people, but when she is totally involved with her music, she is only one thing: that of the medium to bring forth love and joy through the wonderful gift of music. In this album she has opened the book of Akashic Records. By doing so has been allowed to interpret only one chapter into what is an inspired choice of music styles, representing the ebb and flow of life, the good, the bad, the happiness and the grief.

    To be able to listen to life in the various modalities transcribed is something very special as each of the pieces, aptly titled, gives the listener an insight in what is to come.

    The introduction, Mystic’s 9 is a little spacey, up tempo and very modern in interpretation but when followed by Mystic Sea, a peaceful and mellow piece, you are immediately into the vibe of the entire album.

    A lovely vocal rendition of Muse’s Gift from Amber Norgaard, adds an unexpected element as you are invited to ‘Come, leave your troubles by the Spring, and Listen, listen, listen, to the gift the muses bring’.  Jeff Oster joins in on flugelhorn and trumpet in the evocative Mystical adding an elemental change of pace and richness. Will Clipman adds his almost ethereal percussion to the mix on Mystic Kiss.

    Heaven’s Gate once again brings Dyan Garris back to the keyboard for this joyful composition as she trips delicately over the keys, with some amazingly interesting synth mixed in, to give yet again that sense of traveling through time, endless space, and timeless peace.

    Cloud 9 and East on 9th sees Joe Bauer adding a little dash or panache on drums to these nicely up tempo pieces which create a change of place and time.

    With the final composition Water for the Soul you are encouraged to gently return to this world, refreshed, renewed and relaxed.

    As a child commencing her journey in the world of music Garris’s teacher said to her, ‘Music is not about seeing. It is about feeling”. With this collection of evocative pieces ‘music to feel, not to see’ has been perfectly presented.